Bam Margera weds girlfriend Nicole Boyd on stage during Icelandic rock concert
A stiff breeze blew across the Santa Monica Pier on a recent afternoon, kicking up sand and sea spray as visitors munched fried food and watched a man paint names on a grain of rice. But sheltered inside a seafood joint, Mitchell Frank and Martin Fleischmann didn’t seem concerned with the weather perhaps because they were busy describing winds of change. “What we’re trying to do is create a destination for locals on the pier,” said Fleischmann, a veteran Los Angeles concert promoter. “Tourists are here all day long, but otherwise it’s underutilized.” Added Frank, another promoter hired by the nonprofit group that oversees the pier, “The mandate was to bring content here.” PHOTOS: Concerts by The Times Content in the form of musical performances isn’t unheard of on the pier, which last month wrapped its 29th annual Twilight Concert series with a free show by the reggae star Jimmy Cliff. The gig drew 30,000 people, according to some estimates. But this year the promoters expanded the menu with a slate of ticketed festivals, including All Bands on Deck! (with indie acts such as Poolside and Yacht) and September’s Beach Ball (featuring Aloe Blacc and Sly & Robbie). This weekend the pier is to host Way Over Yonder, an inaugural two-day roots-music event connected to the venerable Newport Folk Festival with performances Saturday and Sunday by Neko Case, Conor Oberst and Calexico. And Oct. 19 will bring the comedy-based Festival Supreme, assembled by Jack Black and his mock-rock band Tenacious D. The shows are part of what pier official Jay Farrand called “a larger effort to get people to take a second look at the pier to think of it not just as somewhere you take Grandma from Kansas.” But for Frank and Fleischmann whose respective companies, Spaceland and Rum & Humble, put on concerts at the Echo and the Hollywood Bowl, among other spots the activity also reflects their desire to establish a new home for music on the Westside, where a dearth of large and mid-sized venues intensified with the closing this summer of the Santa Monica Civic Auditorium. PHOTOS: Unexpected musical collaborations “People here need a place where they can gather in large numbers for music,” said Fleischmann, who pointed to high rents and restrictive permitting as reasons the Westside generally lacks such spaces. The century-old Santa Monica Pier, an instantly identifiable but historically significant landmark, makes for a complex solution to that problem. Jay Sweet, who supervises the Newport Folk Festival, said the pier appealed to him for Way Over Yonder because it’s an “iconic place that’s not a traditional music venue” similar to Fort Adams State Park in Rhode Island, where Newport has taken place since 1959.
Carnegie Hall concert goes on, after strike canceled performance
By Ethan Sacks / NEW YORK DAILY NEWS Tuesday, October 8, 2013, 4:41 PM Bam Margera via YouTube Bam Margera and Nicole Boyd get married on stage Saturday in Iceland. In what may be his greatest stunt ever, Jackass star Bam Margera tied the knot Saturday – on stage in the middle of an Icelandic heavy metal concert. The 34-year-old skateboarder turned TV daredevil posted video of himself marrying longtime girlfriend Nicole Boyd on stage at the Random Hero Festival – and shared the moment with fans by posting the video on YouTube. Bam Margera via YouTube The bride wore a low-cut white dress; the groom was less resplendent in a torn purple and black cape. Kevin Winter/Getty Images Actor Bam Margera (l.) and Nicole Boyd arrive at the Hollywood premiere of the movie,’The Last Stand,’ in January. As soon thenuptialswere over, Margera joined his band, F–kface Unstoppable to belt out some tunes. PHOTOS: SHHH! SECRET CELEBRITY WEDDINGS The concert benefitted a local skating park in Reykjavik, Iceland, E! Online reported. Its the second marriage for Margera, who was hitched to childhood friend Missy Rothsein in 2007 and officially divorced last year.
A strike by stagehands forced the cancellation, but the union temporarily suspended its strike on Thursday, allowing the concert hall to open its doors for now. A union leader told Reuters he was optimistic the two sides could reach a permanent deal by Friday. The dispute hangs on whether the stagehands – mostly prop-makers, carpenters and electricians – should have a role in a new educational wing that the Carnegie Hall Corp plans to open above the hall next year. The corporation wants to hire cheaper labor at the education wing. Negotiations with the union took an unprecedented turn on Wednesday when Local 1 of the International Alliance of Theatrical Stage Employees decided to go on strike for the first time in the history of Carnegie Hall. However, when James Claffey, president of Local 1, emerged from negotiations on Thursday afternoon, he announced the union had agreed to pull down the picket line for the day, citing progress in the talks. “This is a goodwill gesture towards Carnegie Hall,” said Claffey, whose local has negotiated some of the most lucrative pay in the industry. He later said further progress had been made, and that even though picketing would continue, he hoped to reach a deal by Friday. Carnegie Hall’s five full-time stagehands make an average of $400,000 per year including benefits, The New York Times reported, citing the organization’s tax returns. Claffey said there were many more stagehands represented by the union who work only sporadically. “This dispute is not about those employees,” Claffey said. “This is about everyone else.